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Cornell image with Sara
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Exhibitions Reception with Artists

When
Where
Glyndor Gallery, Glyndor Terrace Garden
Cornell image with Sara
Sara Jimenez with "At what point does the world unfold?", 2022, textiles, trim, sequins, beads, approx. 263 x 200 feet (total installation), Commission for Cornell University.

As part of Wave Hill’s 60th anniversary celebration, four new art exhibitions open with installations both in Glyndor Gallery and outdoors on the grounds. Meet in front of Glyndor Gallery and start with an outdoor artist talk by Sara Jimenez, who will lead visitors on a guided walkthrough of Folding Field, her project of site-specific sculptures installed in and around several of Wave Hill’s iconic trees. Then come back inside Glyndor Gallery for a reception with exhibiting artists featured in the group exhibition, Trees we breathe, which reflects on our relationship to trees through the theme of reciprocal care. Also, presented in the Sunroom Project Space are two indoor installations by Sonja John and Amanda Phingbodhipakkiya, and in the Glyndor Terrace Garden is an outdoor, interactive sculpture by SuRan Song & William M. Weis III. 

Glyndor Gallery is wheelchair-accessible. There is an accessible, ground-level entrance at the front of the building with an elevator that provides access to the gallery level. The Sunroom Project Space can be accessed with an ADA-compliant ramp. The restroom on the gallery level is all-gender and ADA-compliant. The Glyndor Terrace Garden is accessible via a bluestone path that begins south of the Glyndor House entrance and continues along its western perimeter towards an ADA-compliant ramp located at the Glyndor Terrace Garden’s north entrance. 

  • Sara Jimenez

    Sara jimenez credit lauryn siegel

    Sara Jimenez

    Sara Jimenez (she/her) explores the material embodiment of deep transcultural memories. As a diasporic Filipinx-Canadian artist, she is interested in materializing invisible narratives around origins and home, loss and absence. She works in installation, sculpture, collage, and performance, to create visual metaphors that allude to mythical environments and reimagined artifacts. Selected exhibitions include Rachel Uffner Gallery, El Museo del Barrio, Morgan Lehman Gallery, BRIC Gallery, The Brooklyn Museum, The Bronx Museum, and Smack Mellon, among others. She has performed at numerous venues including The Dedalus Foundation, The Noguchi Museum, Jack, The Glasshouse, and Dixon Place. Selected artist residencies include Brooklyn Art Space, Wave Hill’s Winter Workspace, the Bronx Museum’s AIM program, Yaddo, BRICworkspace, Art Omi, Project for Empty Space, LMCC’s Workspace and Bemis. Her work is part of the permanent collection of the Ford Foundation Center for Social Justice. Selected awards and grants include NYFA’s Canadian Women's Artist Award, Canada Council for the Arts’ Explore and Create and Travel Grants, and BRIC’s Colene Brown Art Prize. Jimenez earned a BA from the University of Toronto and an MFA from Parsons the New School for Design. 

    Photo: Lauryn Siegel

  • Sonja John

    Sonja john credit carolina porras monroy

    Sonja John

    Sonja John is a queer, first generation, Bronx-based artist, educator and curator. Her interdisciplinary practice explores cultural, botanical and material hybridity through paintings, textiles, printmaking and site-responsive installations that reference plant forms and vernacular architecture across equatorial zones. These motifs investigate diasporic longing and nostalgic fictions of the Caribbean built from history, memory and family lore. John’s mural work has been commissioned by The Center for Cultural Power for NYC Climate Week 2023 and her work has been featured in n+1 Magazine and Them. She earned a BFA in Painting from Rhode Island School of Design, Providence, RI. 

    Photo: Carolina Porras Monroy

  • Amanda Phingbodhipakkiya

    Amanda phingbodhipakkiya credit jihe peng

    Amanda Phingbodhipakkiya

    Amanda Phingbodhipakkiya is a Brooklyn-based transdisciplinary artist whose work spans sculpture, painting, public art, fiber and ritual. The daughter of Thai and Indonesian immigrants, her practice focuses on creating liminal spaces that facilitate healing and transformation. Through her work, Phingbodhipakkiya channels loss and disconnection into portals of renewal, amplifying marginalized voices and weaving together cultural identities, colonial legacies and personal histories. Her installations often invite audience participation, turning viewers into collaborators in the creation of living monuments. Projects include Time Owes Us Remembrance at the Bangkok Art and Culture Center, Thailand and Of Soil and Sky at the Brooklyn Museum, NY. Phingbodhipakkiya’s work is held in permanent collections such as the Victoria and Albert Museum in London. She was a 2023-2025 Jerome Hill Artist Fellow, a 2024 NYC Artadia Awardee and was an artist-in-residence with the NYC Commission on Human Rights. Phingbodhipakkiya earned a B.A. in neuroscience from Columbia University, NY and an M.A. in Communication Design from Pratt Institute, New York. 

    Photo: Jihe Peng

  • SuRan Song

    Suran song credit anastasia song

    SuRan Song

    SuRan Song is a Riverdale, Bronx-based artist of Korean and Greek descent. Her multidisciplinary performance practice explores how justice relates to love, the ancient roots of Greek hospitality, Sanskrit, audience engagement and accessibility, among other themes. Inspired by post-punk songwriters and Early Dada artists, she also leads a performance art rock band that has toured widely. Song’s work has been featured in exhibitions at the Katonah Museum of Art and Queens Museum, both in NY, and the Villa Terrace Arts Museum in Milwaukee, WI. She earned an MFA in Sculpture from Parsons School of Design, NY. 

    Photo: Anastasia Song

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